The headgrilles are exchangeable, so I swapped them to see what if it would have any effect on the frequency response of each mic. The condenser capsule in the KMS 104 provides a cardioid pickup pattern. The first two are equal in strength, but the pattern is smaller as the screens are closer to the element. The KMS 104 to my ears is slightly brighter on vocals compared to the KMS 105. Obvioulsy, I obliged as I would prefer to keep the stage folks as comfortable as possible, plus it did say Neumann on it afterall ;-) but MAN did this thing perform! My advice, however, is to try them for yourself, fairly comparing them with what you now use. Maximum SPL for THD at .5 percent is 150 dB. You should get better results if you take a look at the published frequency response curve of both mics and dial in an EQ curve to counter the proximity effect. This is accomplished via different means for the KMS 104 and its older sibling, the KMS 105. The features are similar to Neumann KMS 105, such as the dual selectable polar patterns and high SPL handling. Both microphones were primarily reviewed on male and female vocals in a live, on-stage configuration featuring in-ear monitors; later, another female vocal was used for a second evaluation with a different signal path. It’s quite famous by now as one of the best studio recording mics for mid to high range frequencies. The Neumann KMS series of handheld condenser mic's are very versatile and sound great. Neumann is arguably the most recognized microphone name in the business, so when I heard about the KMS 104, the company’s newest live vocal microphone, I immediately took notice. I am all for using gear in situations that the gear wasn't necessarily designed for, and I feel this is a great example - plus, when you weigh up the cost of this mic in comparison to some of it's big brothers, it is even more appealing! I don’t hear much of a difference off the back of these two mics at vocal frequencies, although I can clearly hear the difference around front. Both microphones are built to handle road rigors and come with a clip plus padded case for protection. Find helpful customer reviews and review ratings for Neumann KMS 104 Handheld Vocal Condenser Microphone Nickel at It had less high accentuation than its counterpart, and her voice required a bit more EQ to warm up her tone. The dimensions of Neumann KMS 104 differ slightly from those of KMS 105: the former measures 8.2 x 3.7 x 3.7 inches whereas KMS 105 comes in at 8.1 x 3.5 x 3.5 inches. The modifications include integral shockmount in the high-impact plastic body to deal with handling noise, a two-stage screen and pop-filter, and reduced sensitivity to deal with high-SPL's. Update my browser now. Which means it shines on vocals where there is a lot of man handling - although no mic is perfect for this, but this gets good results in lowering those unwanted stage noises. The sound quality is unparalleled, and the off-axis response is a life-saver - especially on the KMS 105. Vocalists out there who want to own their own mic for gigging - look no further! It virtually eliminated plosives, yet allowed sibilance to naturally pass through. It is quite easier to use, especially when there are other sounds on the stage. I've used it on vocals for live recordings as well as in the studio. Both mics have a very thin, screened fabric directly over the diaphragm. You'll be a convert in seconds! The microphones’ sweet spots are within two inches and directly in front of the diaphragm, although minimal off-axis movement does not result in a noticeable loss of signal. I first became interested in the KMS 105 condenser mic at TapeOpCon 2004 in New Orleans when both Ian MacKaye of Fugazi and The Evens along with Don Zientara of Inner Ear studios, mentioned it as one of their favorite vocal mics. I must give credit to Neumann. The KSM105 has three different level of screens designed to protect the diaphragm element and also combat plosives. The only thing that could be repaired is the wiring between the PCB and XLR connector although due to the robust construction, I can’t imagine why this would be an issue. And I soon experienced the cardioid KMS 104 ($849), plus its predecessor, in a comprehensive evaluation proving Neumann’s latest for live does not disappoint. There was never a risk of feedback at any frequency, even with the hot spot set at a high level. The KMS 105 excels at voice-over and ADR work as well. Published: March 15, 2007. Update your browser to view this website correctly. I hear that it shines with strings, but I'll have to put that to the test, but I imagine it would be a good choice in that setting too. The KSM104 uses an outer screen internally lined with 1/2-inch to 3/4-inch foam and a small cap over the actual diaphragm. The third is a small plastic-framed screen that surrounds the diaphragm. Read Sweetwater customer reviews for Neumann KMS 104 Cardioid Condenser Handheld Vocal Microphone Reviews. Go to your local store and give it a try, or buy it and never look back! I am very used to automatically reaching for the HPF on the EQ and immediately applying a high-pass shelving EQ at 80 HZ; this was not necessary with the Neumann microphones. I had to deliberately place the microphone directly in front of the hot spot to even flirt with feedback. Apparently, the Neumann KMS 105 condenser mic is more compact than KMS 104 counterpart, meaning it … Neumann KMS 105 Review (2020) The Neumann KMS 105 is a condenser mic that uses a super-cardioid polar pattern with a smooth frequency response, similar to the Shure 55sh. Handling noise is nominal due to solid shell design and isolated electronics; each microphone has a grommet around where the diaphragm touches the body, and foam inserts on the PCB at the point of contact to absorb handling noise. The KMS105 delivers that delicious Neumann sound in a mic that has really low handling noise, and excellent reduced feedback and 'pop' capabilities. It sounds great on strings, saxophones, trumpets - whatever you throw at it. I applied a low shelf starting at 500 Hz and found that I could suck out the woofiness. Hand-held condenser mic for live applications. I was an instant fan and went out and bought one for my stage rigs, and have been mixing with them ever since, especially for lead vocals and most recently horns too. These are essentially small-diaphragm condenser mic's that have been modified for handheld vocal use. The KMS 104 is a lightweight condenser designed for handheld use, on stage or in the studio. Read honest and unbiased product reviews from our users. The sound quality is simply excellent and suits a wide variety of voices. As someone who does a lot of self-tracking in the control room, this mic has proven to be indispensable to me and is my go-to mic for vocal ideas that often get used in the final mix. The KMS 105 is designed more for live use, but from everything I've heard, it works well in home recording settings, and if it fits your voice (which I've not heard), why spend a ton of money? I was literally stunned at how present and powerful this microphone was. You may find that the price becomes less important after hearing them. A male vocal sounded great on both models: very clear, crisp tones without any hype except for some welcomed openness on the top end. Contact Us We're here to help. Belmont Church occasionally uses a hot-spot monitor, so I did some testing with the hot spot at approximately a 30-degree angle towards both microphones’ diaphragms. Putting the KMS 104 headgrille on the KMS 105 took off a bit of top end, making it sound smoother or less peaked. The removable grill makes maintenance simple and also opens up this mic to other duties when stuck. When it comes to the best vocal condenser microphones, then the Rode s1 and Neumann kms 105 will be automatically found in that list. The KMS 105 lost a bit of low frequency response when I put the mechanical filter from the KMS 104 on the KMS 105. The quality and the texture is super smooth and surprisingly desirable - transparent but 'alive'. You can always bank on the fact that they make leave budget lines to other manufacturers. Once the capsule has been compromised in this way, the mic can no longer be used for close-proximity vocals. There are two: the 104 being the cardioid and the 105 super cardioid. The KMS 105 being a handheld model is often preferred by vocalists who are used to singing live and are uncomfortable with traditional condenser microphones. Neumann is arguably the most recognized microphone name in the business, so when I heard about the KMS 104, the company’s newest live vocal microphone, I immediately took notice. And I soon experienced the cardioid KMS 104 ($849), plus its predecessor, in a comprehensive evaluation proving Neumann’s latest for live does not disappoint.

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